Helen
Mirren was born Ilyena Lydia Mironoff on the 27th of July, 1946. Helen's
grandfather was Russian, Pyotr Vasielivich Mironov, an aristocrat connected
to the military. He came to London to buy arms to aid his countrymen
in the Russo-Japanese war, then found himself stranded due to the Bolshevik
revolution. Helens father Basil, who had been brought to London when
only two, was something of a musician. Once a violinist with the London
Philharmonic, to support his family he later became a cabbie and then
a driving instructor
From
the age of 6, Helen recalls wanting to be an actress, she wanted to
act in an "old-fashioned and traditional sense". She performed
onstage at school at St Bernard's High School for Girls in Westcliff-On-Sea
- and dreamt of being a Shakespearean heroine. She says she was obsessed
with the Bard by the age of 13, having been drawn to him by the character
of Joan Of Arc in Henry VI.
Her
parents did not think acting to be a prudent career choice. They encouraged
their to enroll at teacher training college, which she dutifully did,
in Hampstead. She didn't last long. Having auditioned for the National
Youth Theatre, she was taken on and, in 1965, made her debut at the
Old Vic as Cleopatra (in Anthony and Cleopatra). She was immediately
sensational. Her Cleopatra was a revelation and perhaps a taste of things
to come. Commanding, capricious, wise, and demanding, she was also overtly
sexual, a quality deemed utterly contemporary, given the sexual revolution
taking place at the time. Within two years, Helen was taken on by the
Royal Shakespeare Company.
Onscreen,
due to her concentration on the stage work, Mirren's career would not
really take off until the very late 1970s. She'd played Hermia to Judi
Dench's Titania in Peter Hall's filmed production of A Midsummer Night's
Dream.
Her
most famous role, and that which she is even now remembered for was
Caesonia in the film 'Caligula' (1979). Tinto Brass was the director
and she squeezed the legend for everything it had. All the performances
were notable but especially Helen as Caligula's , voluptuous mistress
Caesonia, but the film itself was overshadowed by the silly sex and
incredible brutality.
Mirren
came into her own as a film actress later that year with her strong
turn as the lover of a gangster (Bob Hoskins) in 'The Long Good Friday'
(1979). She lent an appropriately seductive air to the evil Morgana
in "Excalibur" (1981), John Boorman's revisionist take on
the Arthurian legend and then returned to her stage roots for a series
of TV appearances in Shakespeare plays. With "Cal" (1984),
the actress hit new heights, turning in a memorable performance as the
widow of a RUC policeman who unwittingly falls in love with the IRA
man (John Lynch) partly responsible for his murder. Although she earned
the Cannes Film Festival prize as the year's best actress, she did not
garner the same attention when the film was released in the USA.