Kenneth
Branagh has been one of the key Shakespeare interpreters of the late
20th century. At the age of nine, Branagh moved with his family from
Northern Ireland to London. He was bookish, athletic and assumed
an English accent at school - he became interested in acting at the
age of 15, after seeing Derek Jacobi perform Hamlet (the two would later
collaborate numerous times both in film and on the stage). Immersing
himself in all things theatrical, Branagh was accepted at the Royal
Academy of Dramatic Arts (RADA) in London when he was 18, where he would
later receive acclaim for his performances in Hamlet and Henry V. Often
compared to Laurence Olivier, Branagh was noted for his magnetic and
often whimsical performances. In 1987 he left the RSC to co-found the
Renaissance Theatre Company, for which he served as actor, writer, and
director.
Although
Renaissance struggled at first, although its premiere effort - a production
of 'Public Enemy', met with across-the-board disapproval, it soon gained
a reputation for quality work, and counted such celebrated performers
as Judi Dench, Richard Briers, and Derek Jacobi among its ranks, many
of whom were later cast in Branagh's directorial debut, Henry V. The
1989 film, a sober, mud-saturated affair that served as a stark contrast
to Olivier's 1944 version brought Branagh international acclaim and
recognition. He was soon being hailed by many a publication as "the
next Olivier," a title which he repeatedly stated made him uncomfortable.
The next Olivier or not, Branagh was nominated for Best Director and
Best Actor Oscars for his work, and went on to win other honors, including
British Academy and National Board of Review Best Director awards.
His
co-star in the movie, Emma Thompson, was an actress he had met while
filming a television series. They were married in 1989 and appeared
together in many film and stage productions.
Riding
high on this success, Branagh rather cheekily published his autobiography,
‘Beginning’, at the advanced age of 28. Although it was
labeled a little premature and more than a little ego-driven, the book
further played into his mystique, which was heightened in 1991 with
his Hollywood debut. That year, he directed and starred opposite Thompson
and Sir Derek Jacobi in ‘Dead Again’, a stylish, Hitchcock-inspired
romantic thriller. The film was both a critical and commercial success,
and the two were soon being labeled "the royal couple of British
cinema."
Branagh's
next effort, the 1992 ensemble comedy 'Peter's Friends', was critically
not very successful but I have to admit I did enjoy it. Starring Branagh,
Thompson, co-writer Rita Rudner, and comedians Stephen Fry and Hugh
Laurie, it received some positive reviews, but was largely regarded
as a disappointment. Fortunately for Branagh, he had better luck that
year with the Bard, turning out a sun-soaked, giddy adaptation of 'Much
Ado About Nothing', which found favor with audiences and critics alike.
That same year, he garnered additional acclaim, directing the short
film 'Swan Song' and winning an Best Live Action Short Academy Award
nomination for his work.