Peter
Alexander Ustinov was born in London in 1921.His father, an officer
in the Russian Czar's army, refused to take an oath to the Eastern Orthodox
church because he was a Protestant and he had to flee the country. Peter
was educated at the Westminster School in London, he left at 16 because
he hated it, but had almost instant success on the London stage. His
first play was staged when he was only 19.
By the time he was in his early 20s war was gripping Britain and, the
then Private Ustinov, was legendarily meeting with Captain Carol Reed,
Lt Colonel David Niven and Lieutenant Eric Ambler at the Ritz to prepare
the screenplay for ‘The Way Ahead’ (1944), in which he also
played the North African cafe owner (he didn't look English enough for
anything else).
After the war he continued writing but it was in 1951 that Ustinov was
to star as Nero in the film ‘Quo Vadis’ – he delivered
a hypnotic performance as the insane emperor that completed captures
the screen. He had a good supporting cast with Deborah Kerr and Robert
Taylor and in truth he really should have received an Oscar for this
role.
Between 1952 and 1955 Ustinov starred alongside Peter Jones in the much-loved
BBC radio comedy In All Directions. The show featured Ustinov and Jones
as themselves in a car in London perpetually searching for Copthorne
Avenue. The comedy derived from the characters they met along the way,
often also played by themselves.
The 1960’s were good for Ustinov he won Oscars for Best Supporting
Actor for his roles in Spartacus (1960) in which he played the affable
slave owner and eventual enemy of Laurence Oliver (Crassus) then a few
years later in Topkapi (1964).
Never one to turn down a good television assignment whilst not appearing
in films or writing, Ustinov appeared on American TV in such guises
as King George and Dr. Samuel Johnson, winning the first of his three
Emmy awards for the latter characterisation; he was also a frequent
talk show guest, regaling audiences with his droll wit and his mastery
over several dialects. While he has never starred on-camera in a weekly
TV series, his voice could be heard essaying virtually all the roles
on the 1981 syndicated cartoon series ‘Dr. Snuggles’.
The closest he has come to repeating himself was with his frequent theatrical
film and TV-movie appearances as Agatha Christie's Belgian detective,
Hercule Poirot, in the late '70s and early '80s. The author of several
plays (the most popular of which included ‘Love of Four Colonels’
and ‘ Finish’), books (including two autobiographies), Peter
Ustinov was still going strong into the 1990s, making a long-overdue
return to cinema in the 1992 film ‘Lorenzo's Oil.’