Sherlock
Holmes gets the Gothic treatment in this mix of mystery and supernatural
horror from Hammer Films. Peter Cushing is perfectly cast as the great
detective, the very embodiment of science and reason (which also made
him a great Van Helsing in the Dracula series) in a case surrounding
a legacy of aristocratic cruelty and a devilish dog wandering the swampy
moors. Christopher Lee cast in an unusual (non evil role) and Andre
Morell as the famous Dr Watson. Filmed many times before and after,
the Hammer version ranks high marks due to the casting of Peter Cushing
as Holmes, the direction of Terence Fisher, and the familiar attributes
that make their films so special and unique.
It
begins with a prologue about the curse of the Baskervilles, as we learn
that Sir Hugo (David Oxley) murdered a young girl who had escaped from
one of his nights of debauchery. Hugo is then killed by a hound from
hell, and the years that follow bring the same fate to all male heirs
of the Baskerville name. The latest victim is Sir Charles Baskerville,
who died of fright on the same Devonshire moors as Sir Hugo did. The
new Baskerville heir is Sir Henry (Christopher Lee) who arrives from
America to inherit the family property. Peter Cushing and Andre Morell
are employed to protect Sir Henry as another mystery unwraps before
them.
In
the first-ever colour Holmes movie, Peter Cushing is marvellous, fully
immersed in the role through use of self-furnished props and enthusiastic
mannerisms. Andre Morell provides an intelligent and refined Watson,
and the cast is rounded out with a number of Hammer character vets,
including Francis De Wolff as the burly Dr. Mortimer and Miles Malleson
doing his ‘light relief’ as Bishop Frankland. Not under
monster guise the first time for Hammer, Christopher Lee plays Sir Henry
with great authority and even gets a love interest (Marla Landi as the
feisty Cecile Stapleton).