Now
before I get a string of emails from people telling me that THIS IS
NOT A FILM – needless to say I realise that! I’ve given
careful consideration to putting this series on the site and decided
that it is just too important to leave off. There are three classic
BBC dramas; ‘House of Cards’ (1990), ‘Tinker, Tailor,
Soldier, Spy' (1979) and ‘I Claudius’ (1976). I’m
not about to put them all on but I thought I’d test the water
with this one.
This
series is almost 11 hours (3 DVD's) and has three parts ‘House
of Cards’ (1990), ‘To play the King’ (1993) and ‘The
Final Cut’ (1995). It features a string of classically training
theatre and TV actors who would never make it into mainstream films
other than as character actors – but they show the best of British
acting. Ian Richardson has a show-stealing performance as Francis Urquhart,
the government Chief Whip, who lies, cheats and tramples his way to
Downing Street, leaving bodies, rival leaders, and political carnage
in his wake.
The first series ‘House of Cards’ sees Urquhart being snubbed
and passed over for promotion by the Prime Minister Henry. He vows revenge
and we watch as he plots, schemes and engineers all manner of Machiavellian
situations for unwitting enemies and rivals. Number two ‘To Play
the King’ sees him take on a new form of rival and it is revealed
how he has not learnt from others mistakes as he treats his own Chief
Whip Tim Stamper the way the previous PM treated him. It would be unfair
to review ‘The Final Cut’ as I don’t want to ruin
this review by giving away too much that would spoil your enjoyment
of the series…
Generally
books are regarded as better than the adapted screenplays – it
is widely accepted that although Mike Dobbs books are excellent, Andrew
Davies who wrote the screenplay actually improved dramatically on the
books. Richardson breathes exquisite life into the character of Urquhart
and the story changes make the stories BETTER, not worse.
One
theme (and there are many) than run through the series is that Urquhart’s
relationships with women are both beneficial and destructive. The Maddie
Storin character played by Susannah York is perhaps the most fascinating
and the ‘Daddy’ twist (you’ll really have to watch
it) was a controversial aspect of their relationship.
He
is not a nice guy, and he eventually shocks both us and himself with
how far he is willing to go to obtain his seat of power, but the sheer
intelligence and complexity of his schemes compels our admiration. His
dialogue is beautifully constructed and eloquently delivered and so
whenever he speaks (regardless of our own political opinion) you end
up with your heart swelling, for example,
‘We
are not a nation of deserving cases. We are not, please God, a nation
of social workers, or of clients of social workers. We are a fierce,
proud nation, and we are still, God willing, a nation to be reckoned
with’