The
second award was for film editing. That was a job of real artistry.
It is always a choice of what tiny segments of a scene to emphasize
and the editors got it exactly right. There was the terrified child
holding her hands over her ears to shut out the bombing sounds. There
was the tiny vegetable that Dith Pran
plucks off a plant with relish when he is in the prison camp. There
is the wash of blood on the floor in the hospital where people were
dying.
Dr.
Hang S. Ngor won an Oscar for his role of Dith
Pran, one of the few non-professional actors
to ever win an Oscar. He was especially suited to the part because he,
himself, had endured 4 years of torture and imprisonment in a Cambodian
work camp. He had to hide his identity of physician and watch his young
wife die in childbirth while there. No wonder he was able to play the
part so well. He was murdered in his garage in his home in Los Angeles in 1996 during a robbery in which he tried to protect a memento from
his wife. It is surprising
that it was not more successful at the American Academy Awards, notably
for David Puttnam for Best Picture and Roland Joffe
for best director. It did however sweep the British Oscars and quite
rightly so.
But
the entire cast was wonderful, each actors performance outstanding.
Sam Waterson played Sydney Schanberg
with passion and realism. John Malkovich played
his photographer sidekick. Julian Sands had a small role as journalist
Jon Swain who was one of the three westerners saved from execution by
the intervention of Dith Pran
and who tried unsuccessfully to forge a passport to help Dith
Pran escape.
The
character development is absolutely brilliant. This clearly focuses
on the friendship which developed between the two men in the film and
illustrates the fact that amidst the guns, bombs and bullets, glimmers
of humanity and empathy still existed, and was capable of being brought
forth hence, the uncanny comradeship between these two individuals.